WWW,
September 2009 - With tracks like "Kum
Out", several mixes of "Welcome To
Canada", Lady Shelly's free MP3 Album
gives a good representation of her past and
presence as more-than-conscious Dancehall
vocalist.
Lady
Shelly's story is more than interesting:
after moving to Montreal (Quebec) from
Jamaica, she became a signed recording
artist for a number of Dance labels, scored
several hits and even received a golden
plaque. A few years followed wherein she
traveled to and from Jamaica, bringing her
to the decision that she now was going to
use her talents to spread Consciousness in
the Dance.
In
Montreal, she recorded "Welcome In
Canada" (track 14). It's a Rub a Dub
tune, which drew the attention of Dean
Fraser. He made her decide to permanently
move back to Jamaica and work on building
her Dancehall career.
And she
did.
KARAMANTI
MIX VOLUME ONE _ RESURRECTION is an 18 track
presentation of some really hard hitting
Dancehall music. Ten tracks are new, by the
way. Lady Shelly shows her talents on
several styles, but they all have that
militant and conscious element lacking in so
many other Dancehall productions.
She
addresses current situations in Jamaica
(Bruce Golding, No Gully No Gaza), domestic
violence (Kum Out) and the way Jamaicans are
treated in Canada (Welcome In Canada). Her
faith in Jah keeps her going on and she will
not go astray from Him (Naa Do It), but she
also sings about good vibes (Party Tonight).
Lady
Shelly's message is clear, and it gets even
more clear on her website where we can find
the story behind most of the tracks and
herself. She is a hard working, even
struggling artist whose refusal to walk in
the ways of the wicked doesn't make things
easier.
How easy is
it, to be a female vocalist and you find out
that one producer is more interested in
punany than in the musical talents? How hard
is it, to know that this producer is no
exception? We feel it directly in the music
and lyrics of this more-than-conscious
Dancehall artist.
Download
the album, check out her website for remixes
and some instrumentals or even a capella
recordings, read up her poetry and news
items and know why Dancehall Music would not
survive without sistren like Lady Shelly.
The
mainstream might choose to ignore her, but
the conscious online massive will not.
Sela.
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